projection At the we have several projection options using purpose built spot and flood lights		The first image at the left was produced by projecting the background on white colorama about 10 feet behind the plaster head. The background image was entirely sharp and exposure for both elements was about f8 at 100ASA. The out-of- focus background is intentional and derived from lens performance making the final result more natural. We can handle transparencies up to 6x6cm in our BronColor Pulso spot 4
- click an image for a bigger version		skew projected image of Concorde - entire process in camera
		This image gives a clue about the projected quality we can achieve from a 35mm trannie on white emulsion in the cove
		Black and white gobo used over a lingerie model
		Profil 11/26 used to simulate following spot on stage - gelled blue
		Profil used as spotlight in white cove with red gelled flood
		Clouds projected on blue Colorama paper
		Metallic gobo used on dark blue Colorama paper
		These two pictures of the lovely Hannah, also shot in our cove, show our Profil 11/26 at work using 80mm metal gobos and coloured gels
		Low key image using circular window goboin Profil 11/26
		Similar to the other Hannah shots but using a coloured glass gobo which can be bubbles, clouds or a sci-fi theme etc etc
		This image uses differential focus and a flood light on the lily, the model (Sarah Louise) and background are also separately lit
		Using a defocussed projection spot can produce a pleasant low key variation on model Sarah Louise
		Low key is the theme here, where the flower and lady's knees are quite separately lit, the flower having a hard following spotlight sized to be just bigger than the red petal
		Middle key shot using church window gobo
		Finally this is the real challenge, exposing a contributed 35mm transparency on the bare back of lovely model Amada Jane - look hard to see what is happening